Partway through Outriders , the player character—the "Outrider"—is tasked with finding a lieutenant who's gone missing in one of the sprawling battlefields that cover the fictional planet of Enoch. The lieutenant is discovered next to a wounded enemy soldier who pleads for his life before being summarily executed by a grenade. The Outrider, no stranger to violence themself, watches with dismay as the enemy explodes into a red mess of blown-up guts and brains. "War is war," the lieutenant says. "What? You think we just hug and—" He's interrupted by the crack of a gunshot that sends him wheeling in place before falling dead to the ground. The Outrider sighs, picks a bit of human matter off their face, and mutters, "Why do I even bother?" before walking away, their mission complete. Gunfire continues to rattle in the distance during the fade to black. Outriders , as this one sequence makes clear, has a singular tone. It bounces wildly between grim violence and slapstick, self-serious musings on the horrors of war and wisecracks about the same, throughout its entire plot—and sometimes within a single scene. The story follows humanity's attempt to restart civilization on a distant planet called Enoch after… Read full this story
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